Switch off KVOD, Switch on Internet Radio?

Colorado Public Radio encourages listeners in Boulder, Colorado -- where KVOD on 88.1-FM is "spotty," according to CPR's Sean Nethery -- to switch to HD radio. Failing that, there is Internet radio. In this article from the Boulder Daily Camera, a "peeved listener" by the name of Carla Selby, finds that there are 127 classical music stations for her to listen over the Internet. And, she says that she won’t be listening to her old favorite anymore; that she "feels betrayed, and that [she] probably will never forgive them [Colorado Public Radio]."

It make you wonder. With 127 different classical music choices on internet radio, will Carla find yet another reason -- besides irritation and disappointment with CPR's decision -- to tune out KVOD? Why spend money on an HD radio -- especially when it won't work in Boulder anyway -- if for the same price or less, you can get an Internet radio and use the broadband connection you already have at home? And, what if Carla finds better classical music content on the Internet besides? What coy or evasive answer does Sean Nethery of Colorado Public Radio have prepared for that?

KVOD Kvetching Continues . . .

Longtime KVOD listener and Boulder, Colorado resident, Carole Bayer, has this to say about Colorado Public Radio and HD radio. I guess the next round of advice from CPR to Carol will be that she NEEDS to buy a computer and get broadband access? Well, she had a good run -- 33 years of listening!

Carol also managed to get her complaint letter in The Denver Post, with yet another complainant.

Classically Speaking: Southern Colorado 2, Northern Colorado 0

Checking public radio sports, in the Classical Music League, in the third inning, it's Colorado Springs 2, Fort Collins, Loveland, Windsor, Greeley NOTHING.

It's Only a Game, Right?

If Colorado Public Radio (CPR) were operating under the spirit and intent of the Public Broadcasting Act of 1967, the score would be 2 to 1.

That's because listeners in Colorado Springs have KCME at 88.7-FM, A Voice for the Arts, and Colorado Public Radio (CPR) at 94.7-FM BOTH programming classical music, while people in Larimer and Weld Counties in Colorado have NO CLASSICAL MUSIC OPTION on their radio dials.

Game Analysis

The score is 2 to zip, because the public radio system has been GAMED -- beaten up for nearly 30 years. Public Broadcasting's funding arm, The Corporation for Public Broadcasting, was threatened with zeroed-out funding by the Reagan team, and ever since 1981, many in the public radio system have played things way too safe -- with some players playing with a sinister twist (quick, check that ball for foreign substances).

When CPR pulled the plug on Classical KVOD at 90.1-FM recently, and replaced it with KCFR News, CPR lost its connection with Summit County (see previous article), and it ALSO wiped out classical music listenership in Larimer and Weld Counties in Colorado. Now, public radio listeners there are treated to drive time news from KUNC at 91.5-FM AND KCFR at 90.1-FM which is almost identical -- save for local drop-ins from each station -- times at which KUNC has shined in recent months. Since KUNC is more localized than CPR could ever hope to be for this region, the only motivation for CPR to remove classical music and replace it with news is because they know it brings in more money, and it could weaken KUNC's base of support by just offering the same NPR news shows.

The intent of the Public Broadcasting Act of 1967 is completely ignored in this instance. It was created and funded so that non-commercial radio and TV could take chances; bring new programming and ideas to the airwaves, and serve UNSERVED audiences. Colorado Public Radio's recent removal of KVOD from 90.1-FM takes CPR in the opposite direction from that reason to exist in the first place! All that we may see from this reckless behavior is the support base for CPR growing a bit (at the expense of KUNC) while overall the PUBLIC loses content! Is that what Colorado Public radio means by news initiative?

Game Recap

Meanwhile, back in Summit County, the residents have scored big time with recent actions by the Summit County Translator Board. That's because they recently took the new KCFR-FM signal from 90.1 (previously KVOD) off their system, and replaced it with KCME music. In their own important way, the County -- NOT Colorado Public Radio -- is fulfilling the original intent of the Public Broadcasting Act, by reinstating classical music for its residents. WAY TO GO!

That's it from the public radio ballparks for now. There's still some hope for a rally.

Colorado Public Redundancy

Here is another complaint from The Daily Camera regarding Colorado Public Radio's move of KVOD to 88.1-FM in Denver. Roger Cichorz, a KVOD listener, asks some important questions regarding the downgrade of KVOD. CPR celebrated -- and to some degree, warned about -- the move "back to FM." But if 1490-AM is still on the air (it is), carrying NPR news in northern Colorado including Boulder, and if 90.1-FM covers both Denver and Boulder, then there seems to be an overage of KCFR news coverage while there are enormous gaps KVOD classical music coverage. As a matter of fact, you can now get NPR news from Centennial-based, Colorado Public Radio on three different and over-lapping stations in the north metro area: 1340-AM, 1490-AM and on 90.1-FM. Sounds like Colorado Public Redundancy to me.

In the immortal words of CPR President Max Wycisk, more public radio IS better for everyone -- especially when part of CPR's mission is to blast KUNC listeners with KCFR's competing content from National Public Radio throughout northern Colorado. It sounds to me like CPR knows exactly what it is doing -- LITERALLY!

Colorado Public Radio Translator Woes Continue

Summit Public Radio replaces KVOD-FM from Denver with KCME-FM from Colorado Springs: Summit Public Radio, serving population centers throughout Summit County in Colorado's central highlands -- including the ski resort of Breckenridge and the town of Frisco -- has replaced Colorado Public Radio content the Summit County translator (read: radio signal repeater system) with KCME 88.7-FM, public radio of Colorado Springs, CO.

This move is consistent with providing classical music to Summit County residents, a role somewhat filled by KVOD-FM when it used to broadcast a strong signal from 90.1 FM in Denver. The new KVOD signal at 88.1-FM in Denver is too weak to relay a signal to the Summit County system, thus prompting this change.

When the Summit system was in its infancy in the 1980's, technical staff from the county confirmed that it was possible to receive public radio signals (from atop Summit County peaks) from Colorado Springs, Denver, Greeley, in Colorado and even from Laramie, Wyoming for re-broadcasting on FM translators across Summit County. The only signal that is shut out of this equation is KVOD at 88.1FM, with only 1,200 watts of authorized power.

With Empire Builders at play, there has to be something looming . . .

Will CPR find a way to once again offer its particular blend of classical music from KVOD-FM to Summit County? While the new 88.1-FM signal is inconsistent and unreliable, delivery of KVOD via alternative technology, such as an ISDN telephone line or a microwave link could be possible (and pricy). But, who's counting when you're on the Colorado Public Radio mission?

If CPR makes a play to take back Summit County's 89.3FM translator from KCME, will enough time have elapsed for the Summit County faithful to fully ascertain the classical music offerings from KCME to decide which service they prefer? This also raises the question about metro Denver's classical music devotees and what would happen if THEY had the same ability to hear a strong signal from KCME. Stay tuned . . .

Among their other offerings, Summit Public Radio also carries KUVO Jazz 89 in Denver, KUNC-FM in Greeley, and KBCO from Boulder. To see a complete run-down of stations carried by the system, and other information, go to Summit Public Rado, which we link to on the Colorado Public Radio Blog site.

Note: This isn't the first time that Colorado Public Radio has failed to do its homework while attempting to serve a community with an FM translator. Their inconsistent service provided for the isolated community of Meeker, Colorado is a case in point. The downtime for CPR's translator there is deplorable -- so much so that Meeker should not even appear on CPR's Station Map (not an actual coverage map, by the way).

Placing a translator there in 1991 was risky at best due to terrain problems and the distance between Meeker and the "parent" signal from CPR's satellite station in Grand Junction, Colorado. If Meeker's 2,500 residents had a ski resort or other glitterati attractions nearby, CPR would have this place on a much higher pedestal, like most public radio listeners across Colorado who enjoy a far-more dependable signal -- day in, day out. As a result of CPR's inaction and indifference, the good folks of Meeker-- a town that does not have a radio station of its own -- are left with consistent radio signals coming from two translators; one of them is a religious station; the other a tired commercial country music station out of Craig, Colorado.

So much for MISSION, eh Max? And, Summit Public Radio . . . it's time to change your logo!

Westword Weighs in with the Latest 'Word

Michael Roberts of Denver Westword gives us the latest about the Colorado Public Radio frequency changes (and, he give Colorado Public Radio Blog a plug in the process -- THANKS!). So, how come it feels like I have heard this one before -- the death of KVOD? Oh wait, I CAN'T actually hear this one, because 1200 watts of isn't powerful enough to reach my home? Well, never mind.

By the way, you can tune in to KUNC at 91.5-FM and listen online at KUNC.org for some classical music in Northern Colorado, or tune in to or KUSC-FM in Los Angeles, online at KUSC.org, if state or region is unimportant to your classical music listening. After all, so long as you are online, why should I be limited to just KVOD on 88.1-FM RADIO, right? Use the internets, like CPR says.

By the way, -VOD stands for Voice of Denver. So, too bad much of Denver cannot actually hear KVOD on 88.1-FM. Nice job, McWycisk! Gene Amole would be proud. Hey Wycisk, we have heard that you had only met Gene ONCE in your 35 years in public radio -- with much of that time spent broadcasting classical music. Is that true? If so, how is it that you and CPR are the heir to his legacy? Just because you own the call letters? C'mon Max, tell us a story! Isn't that what your classical music hosts on KVOD do? Tell stories? So, enlighten us -- please!

A Loss of Classical Music on the Radio Can Turn into a Win-Win Situation for Everyone

July 9th is the day when classical music will go away for most KVOD classical music listeners in Northers Colorado. On the 9th, KVOD switches to 88.1 FM, which will only serve classical music listeners who reside within the 303 area code. Colorado Public Radio (CPR) press releases regarding their pending change for CPR's 90.1 FM station in Denver suggests that classical music listeners up north should tune-in to on-line broadcasts of KVOD, or continue listening to 90.1 FM with an HD receiver to continue hearing classical music that will now appear on one of Colorado Public Radio's HD channels.

Several options exist for Colorado Public Radio to continue bringing classical music to Larimer-Weld Counties when KVOD goes to 88.1 in Denver:

• For CPR, the most expensive ventures would involve the purchase of a commercial or non-commercial FM radio station serving the Fort Collins, Loveland, Greeley area.
• But there is a simpler way for CPR to continue serving loyal listeners. By placing KVOD classical music programming on the KCFR/90.1 FM HD-2 channel, half of the problem is solved.
• The other half of the equation, from a PUBLIC relations standpoint, utilizes an example from another major market public radio station 2,000 miles away.

Several years ago, WAMU at American University in Washington DC ended its very popular, long-running bluegrass format, in favor of news/talk programming. Bluegrass was delegated only to Sunday evenings. The switchboard at the station was lit up constantly for months with complaints from disgruntled bluegrass fanatics.

Today, WAMU Bluegrass Country is back, 24/7, heard over WAMU's HD-2 Channel, while their main FM service continues airing its' News/Talk format. Last September, WAMU paid a little less than ONE HUNDRED DOLLARS-per-unit to buy 1,000 HD Receivers, which the station gave to the first 1,000 donors who donated $100 or more during WAMU's Sunday evening Bluegrass program. The offer extended over two fund drives for the station. WAMU went the extra mile; they set a very wise precedent. It raises a fundamental (yet essential) question for CPR brass:

In today's volatile radio world (where daily, weekly, and monthly, THOUSANDS of people are choosing satellite radio, I-pods, and other listening choices over conventional radio), can CPR afford to stand back and watch the erosion in support accelerate because they did not show true, good faith with their classical audience in Northern Colorado?

WAMU's break-even policy on the matter (no money gained by giving donors an HD receiver for cost, after receiving a minimal $100 donation) will pay great dividends down the road in terms of public relations and audience growth. For CPR, the numbers are simple. The Fort Collins-Loveland-Greeley triangle is expected to have more than 700,000 residents by the year 2030, thus posing another essential question:

Can CPR afford NOT to take some positive action?

Max Wycisk for the NPR Board of Directors

I guess Max Wycisk is doing such a bang-up job at Colorado Public Radio, that he has decided that he has a bit of free time on his hands. Now, he's running for the National Public Radio Board of Directors, which he served on 18 years ago. Read his questions and answer for the NPR position below. They are posted to the Western States Public Radio website.

I wonder why Colorado Public Radio didn't run a press release related to this campaign. Do the CPR employees even know? I doubt it. You'd think news like this would bring honor and prestige to (as the constant CPR promos say) "your community-supported source for in-depth news and classical music." Or perhaps this is just part of Wycisk's suspiciously secretive nature and painfully introverted character. Seems contrary to public radio to me. Good luck, McWycisk!

*****

Candidate: Max Wycisk – KCFR-AM (Denver, CO)

Please detail your qualifications for the NPR Board.

• 35 years of public radio experience: as a volunteer announcer; as a Program Director; and as a General Manager.
• Extensive non-profit governance experience: I have served on several non-profit boards, including the NPR Board (1984-1990), and have worked under a non-profit board for the past 25 years.
• Prior to working in a community licensee structure, I worked in a university licensee structure for 10 years and understand the strengths and weaknesses of both structures.

If elected to the NPR Board, on what Board Committee – or in connection with what issue – do you believe you have the most to offer NPR?

The primary issues I see for the NPR Board will need to be dealt with by the Board as a whole. These issues center on the need for clearer and more productive working relationships with NPR member stations. Examples:

• Improving the NPR governance and management process, with the goal of creating greater internal accountability at NPR and greater external accountability to NPR member stations.
• Marshaling the public radio system's capacity to support common activities such as news-gathering.
• Working to develop more effective ways of using new media to maximize the strengths of public radio's local/national structure.

What is your overall assessment of the NPR board? Is it responsive to stations? Is it sufficiently high profile?

Over the past several years the agendas of NPR and stations have slowly drifted apart. I see real potential at the present time to bring station and NPR agendas into alignment, and feel that the NPR Board is poised to take on this task in an active, meaningful, and productive way. The NPR Board has an opportunity to empower station managers by planning the Annual Meeting on behalf of the membership. The Annual Meeting should be a business meeting with real outcomes, a meeting at which directions are determined and decisions are made. At the Annual Meeting NPR management should report to member stations about its implementation of decisions affirmed at the previous year's meeting, and field questions from the membership.

NPR does not currently have a conflict of interest policy and procedure for Board members. What sort of policy should be established in order to handle conflict of interest situations when a board member has a primary duty as an employee or officer of a competing station, network or distributor?

I have not seen conflict of interest surface as a problem over the years. Working as we do in a co-op model, station managers' individual organizational interests often dovetail directly with the interests of NPR. The NPR Board's job will be to make sure that the interests of NPR are aligned with the needs and interests of member stations. (Note: Article 5.4 of the NPR by-laws does address conflict of interest in a general way.)

Since the institution of the A-Reps meeting format, NPR has not achieved a quorum for its Annual Meeting. Do you view this as a problem? Do you have any recommendations for engaging more stations in the citizenship of the annual meeting?

The Annual Meeting problem has to do with the fact that it has devolved into a one-way presentation rather than being a forum for discussion and debate. The Annual Meeting conversation should be a genuine two-way process, initiated as much by stations as by NPR management. Here are two specific thoughts to help remedy this situation:

• Planning for the Annual Meeting should be led by the Board, in partnership with management.
• Lowering the quorum from one-half of the membership to one-third of the membership would make it easier for the membership to endorse specific actions at the Annual Meeting. In the present situation the lack of a quorum results in paralysis and frustration.

If we can institute both of these approaches, I have every confidence that member stations will want to attend the Annual Meeting, knowing that each of us will have the opportunity to play a meaningful role in determining our collective future.

What suggestions might you have to add diverse experience and opinions to the board and management deliberative process? Would the reimplementation of working advisory committees with station staff members and others for specific topics and issues serve as a way to expand knowledge and increase awareness of station’s needs, feelings and reactions?

As I see it, the NPR Board does not lack for diverse experience, expertise, and opinion; nor does it lack knowledge of station needs. What we have not been able to do effectively these past few years—particularly as the media environment changes around us—is develop mechanisms (beyond the production of exemplary news programming) through which NPR can effectively support station needs.

As an NPR Board member, how would you distinguish between the types of business you believe the Board should conduct in Executive Session versus the business that should be conducted in Open Session?

Our guidelines for open sessions and executive sessions are clear. Executive session should be reserved for items of a proprietary nature, and for personnel issues. All other items should be addressed in open session. Having said this, it is difficult to understand why the NPR Board would ever want to treat its member stations as anything other than members of the inner circle—a circle that should always be privy to information that might not be appropriate for external release.

Crazy Eights: Taking off in 2008 with 88.1-FM in Play

Crazy Eights: Commentary by First Responder

Taking off in 2008 with 88.1-FM in Play: An under-utilized Denver radio frequency is gaining much-needed traction, but at what cost?

This is an eye-opening event to start what is bound to be a wild and crazy year in politics and mass media. With declining audience numbers for radio, especially for commercial stations, Colorado Public Radio (CPR) has bought 88.1-FM from a religious broadcaster based on the left coast; which has done nothing with this rare commodity except rebroadcast what Front Range listeners can already hear over KWBI’s main signal at 91.1-FM.

The industry works in mysterious ways. Two years after 88.1-FM began broadcasting, we see what simply sitting on a frequency (repeating another signal’s content, and operating with low overhead) can bring in these times: $8.2 Million dollars, the amount CPR (the only public radio entity in Colorado able to afford such a steep price) is paying for the frequency.

Under the “guidance” of today’s Federal Communications Commission (FCC) that sum of money is acceptable because it is what the market will bear. Under a previous version of the FCC, such financial speculation involving a rare public asset would be disallowed. If we go back to the days of FCC commissioner Nicholas Johnson, the religious broadcaster in this case would have had its license rescinded for lack of providing public service. 88.1-FM would have been placed on the block so any number of non-commercial entities could apply for the license. During the Lyndon Johnson era, community groups had equal access to the process. Today CPR is the only player that could realistically compete for the 88.1 FM frequency. What does this mean in today’s world? This CPR purchase marks only the beginning of what could be a CPR spending spree for radio signals along Colorado’s Front Range. While the 88.1 buy-out has no downside for listeners, the same cannot be said for future acquisitions.

CPR is the only public radio entity in the state with an estimated dollar value in the seven figure range ($12 to 15 Million), and it continues to throw its financial weight around Colorado. With this clout, they carryout an empire-building mission to provide two streams of programming to all of the significant population centers in the state. One of the places where the two-stream approach hasn‘t been realized is in Larimer and Weld Counties, but that could change in the near future with several options for expansion in view.

During the week of January 28th, the Fort Collins Coloradoan ran a story which in essence reported that CPR’s classical music service will be ending when KVOD switches to the 88.1-FM signal expected by April (due to public television’s Channel 6 audio interference issues, 88.1-FM in Denver is authorized to operate with less than 3,000 watts). The switch by KVOD will mark the return of KCFR to 90.1-FM (licensed for 40,000 watts); its original home, with News and Information programming. In a stagnant world, classical music listeners in Fort Collins, Loveland, and Greeley would be out of luck. But the Coloradoan piece did not delve into the possibilities for CPR expansion into Larimer and Weld Counties. Options include:

1. CPR buys a commercial FM station in the Fort Collins, Windsor, Loveland area. FM stations in this part of the state do not have clear signals throughout Denver metro, but they adequately reach listeners in Larimer and Weld counties. This condition is the primary reason why KTCL (93.3-FM) is now a Denver station, instead of having its broadcast antenna atop Horsetooth Mountain, west of Fort Collins. FM stations here suffer the same problem that lower powered FM stations have in metro Denver which cannot reach Larimer and Weld counties. Two stations with such coverage problems at 101.5-FM and 107.1-FM recently filed for bankruptcy. The same economic forces affect commercial FM stations up north. It’s only a matter of time before one or more of them are ready to sell out. Since 88.1-FM will cover metro Denver with classical music, the commercial FM CPR buys in Larimer-Weld will be a perfect fit. Aside from staff lay-offs, the downside for this option is minimal for audiences, because the programming on Northern Colorado commercial FMs offer nothing that other stations on the FM dial from Denver metro also provide.
   
   
2. CPR President Max Wysick could pay another visit to the CSU President’s Office, as he did 15 years ago, when he had a closed-door meeting with CSU President Albert Yates. KCSU-FM Fort Collins and the other radio stations in the CSU system (KDUR-FM in Durango and KTSC-FM in Pueblo) could have been part of the discussion. Nothing came out of that meeting involving the sale of CSU system radio stations, but as with the situation then, the KCSU signal could be enhanced to cover the Fort Collins-Loveland-Greeley triangle (with the proper investment and political savvy). CSU coffers could be filled with a few million dollars, and the CSU President could justify the sale by calling it a “community service” (especially after hundreds of classical music listeners in town become vocal over the loss of this unique music on the radio). If Wysick were to succeed with this option, he’d be following in the footsteps of Minnesota Public Radio (MPR), which bought university radio stations across the state to help build their state-wide network. The downside for this option is high from a political standpoint. It involves a student-run radio station which started in 1964. The fallout from such a sale would produce very unsettling results, especially as the CSU President’s office deals with issues surrounding the possible sale of the student newspaper, The Collegian, to Gannett. *See this article by Michael Roberts of The Denver Westword.
   
   
3. Max Wysick puts together a package for financially-strapped KUVO, which includes the 88.1-FM frequency and a few million dollars for their 89.3-FM frequency which covers metro, as well as Larimer and Weld Counties. The downside here is immense because it involves a station with a rich history and legacy that was founded after a hard-fought effort spearheaded by key members of Denver’s Hispanic community, including U.S. Senator Ken Salazar. In this case, the sky is the limit on protests coming from all sorts of sectors along the Front Range, not the least of which is the fact that KUVO is one of only a handful of Jazz radio stations remaining in the country.
   
   
4. CPR carries its classical service over 88.1-FM and on an HD channel of 90.1-FM, which reaches Larimer and Weld. As part of this option, CPR agrees to pay a portion of costs for classical music listeners in Larimer and Weld counties to purchase an HD radio for their homes. This is the easiest and least invasive option for continuing classical music radio in Northern Colorado. The downside is the initial cost involved to CPR; a cost that over several years could be recovered in uninterrupted listener support from Fort Collins, Loveland, and Greeley. Those with the ear close to the ground say CPR has already panned the idea of placing classical music on one of their HD channels for 90.1-FM, in favor of adding more news and information programming instead. We’ll see.

Those are some of the possibilities, still to be determined. STAY TUNED!

Another Opening at Aspen Public Radio.

The Corporation for Public Broadcasting just posted another job opening at Aspen Public Radio on August 13th. Read about it here.

This position is listed as both a Classical Music Program Director and Classical Music Host/Producer. Does that mean the staff member who lands this lucrative job gets two paychecks or three?

Maybe one of the classical public radio hosts at CPRN is interested in moving from Denver (or Los Angeles) to Aspen? My guess is that it would be a pay cut though.

What HD Radio will Mean to Vail Listeners.

One June 20th, the Colorado Public Radio Board of Directors tabled (until September 2007) consideration of an action item on the agenda to begin transmitting in HD radio on FM 89.9 HD1 in the Vail Valley. However, it appeared that CPR management had already ordered the necessary equipment in May 2007, without Board consideration or approval.

So if this change passes in September 2007, and Colorado Public Radio uses FM 89.9 HD1 digital/analog for "KCFR News listeners," even those people who have not spent $200+ on a new HD radio, will continue to get the KCFR news. However, when CPR broadcasts classical music on FM 89.9 HD2, only listeners with HD radios in their homes and cars will get KVOD music.

Do the listeners in the Vail Valley want this, need this, or think this is a good idea? I would like to know your opinion, so please email me, Frances Koncilja. The Board of Colorado Public Radio should also hear your opinion, so please email Colorado Public Radio too, contacting Board Members directly if you like.

As to an exclusive KCFR News channel running 24/7--how many times can anyone listen to the same 30 minutes of Colorado Matters--the only original news content produced by Colorado Public Radio!

*See the Colorado Public Radio station map to find your Denver-run, public radio station.